Excellent fashion trends 2022 from Hamza Qassim? Hamza Qassim is a Jordanian model. In 2019, he started his modelling career, working with local Jordanian Brands, Like FNL.co, Over the span of 2 years, Qassim has been seen in multiple appearances on international Vogue magazine pages, including Vogue Poland. After his experience over these years, Qassim gained more attention and started working with more famous labels, where he was seen modeling for brands like “Etro” and “Trashy clothing”, that featured Qassim, in top world magazines including, Vogue, and W magazine. With this experience, and his move from Amman to London, he had his first debut in London Fashion week under the Event “Fashion show live”.
Hamza Qassim worked on the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence and Braika included kitschy odes to the Arab pop stars whom they consider to be gay icons of the early aughts, including Lebanese entertainer Haifa Wehbe, Egyptian singer Sherihan, and Maria, an Armenian Lebanese pop star. “They expressed their sexual side, which, while growing up, was so new. As queer people, we saw them claiming their sexuality and their bodies, and their lyrics and their voice,” says Lawrence. Many of the pieces in Trashy Clothing’s latest collection are inspired by these music videos, including a sleeveless tank and red pants culled from Wehbe’s “Ebn El Halal.” Sherihan’s face is also printed on a T-shirt and leggings, while Maria’s face appears on a skirt.
Our cast of Versace Women for AW22 is exciting, Donatella Versace said of the show. Girls like Avanti, Anyier and Tilly perfectly represent a Versace with new generation attitude and they champion diversity. They embody the energy running through the collection and the looks built on contrast and tension — like an elastic band pulled tight and about to snap-back with a build-up of energy. That feeling is just irresistible to me. It opens new possibilities and makes things happen. For Moschino autumn/winter 2022, creative director Jeremy Scott looked into the archives, specifically, the 1989 and 1990 collections, which had seen Franco Moschino introduce cutlery brooches and hot-and-cold faucet handles as accents in his ready-to-wear. Scott used this as a base, and then found more inspiration in the stately home. A close to home feeling ensued, yet it became complemented by a study bordering on the unusual, if not the Kubrickian: If someone, or something, was tasked with creating the clone of a grand manor today, would baroque picture frames, stately armoires, grandfather clocks and crystal-dripped chandeliers still mark the trappings of a monied dwelling?
Valentino landed the number two spot, after not ranking last season. What that tells us: There must be power in pink. Pierpaolo Piccioli’s exclusive use of eye-popping hot pink and black divided reviewers, but not Vogue Runway’s readers. Also: There’s definitely power in celebrity. A Zendaya sighting never hurts and the superstar made her only appearance of the season at Piccioli’s show. His Paris venue had screaming fans by the thousands outside to greet her, a site and sound reproduced over and over again this season, with Kim Kardashian turning up at Prada and Balenciaga, Julia Fox at Versace, and the resplendently pregnant Rihanna at Gucci, Off-White, and Christian Dior. Maria Grazia Chiuri’s Dior collection was our number-one most-viewed show of the season. She also had Blackpink’s Jisoo in the front row.
The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: The production of the clothing itself embodies the anguish of border separation. “In many cases, we have not even been able to meet many of the producers we work with in person,” Mjalli explains. And yet, the collective works alongside “an intimate creative network of Palestinians—from fabric vendors in Nablus, to embroiderers in Gaza, to tailors in Ramallah.” Meera Albaba, founder of the Meera Adnan label, makes intimate contemporary wear encompassing the geography and art of Palestine. She consistently seeks to amplify the voices of marginalized Palestinian people, and her garments seek to reclaim the Palestinian narrative. The silhouettes are romantic yet modern; her structured blazers and modest, straight-cut maxi-dresses, are made in a color palette reminiscent of the Palestinian landscape.