Awesome media writers for 2021 and movies guides? Many other live TV services also strive to appeal to general audiences, including AT&T TV, and YouTube TV. Other services are better suited for one genre of content than others. For example, fuboTV is an excellent sports streaming service, though it pretty much matches Hulu in the other categories as well. ESPN+ is another sports-centric service, but with a much narrower content scope. How Much Does Hulu Cost? Hulu’s ad-supported, on-demand streaming plan currently costs $5.99 per month. To avoid ads, you need to spring for the $11.99-per-month plan. You can bundle Hulu (ad-supported version), Disney+, and ESPN+ for $13.99 per month or get the ad-free version of Hulu in that same bundle for $19.99 per month. College students can get the ad-free version of Hulu for $1.99 per month. The $64.99-per-month Hulu + Live TV plan bundles the service’s live TV component with ad-supported access to its on-demand library. If you want Hulu’s live channels and the ad-free on-demand package, that costs $70.99 per month.
Hailed as a master guitarist, songwriter and vocalist, Keith Urban is one of the most successful country artists of the past two decades. Since the release of his American major label debut album in 1999, Urban has charted his own unique path in country music and influenced the genre along the way. Everything hasn’t always been perfect for Urban, however. It took him a little while to find his niche in the country world and he has dealt with addiction, which he overcame with the help of his wife, Nicole Kidman. Although Urban has been in the spotlight for many years, there are 10 facts about the singer that may be news to some fans. His fans know him as Keith Urban, but it turns out Urban’s real family name is slightly different than the last name he goes by. Urban was actually born Keith Lionel Urbahn, with an added ‘h’ in the name. While that small change likely doesn’t change the pronunciation of his name, it may surprise some fans. He was born on October 26, 1967 to his parents, Robert “Bob” and Marienne Urbahn, who owned a convenience store. He has one brother, Shane.
The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work.
Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. A cry for help and a call to arms, it’s nothing short of straight-up horrifying. Read additional info on https://mytrendingstories.com/rae-coleman. Streaming services started as an add-on to DVD and digital download offerings with a trickle of second-run movies and TV shows. They were supplements to the programs you watched on their first (and second) runs on cable TV. But speedier internet connections and an abundance of media streaming devices have accelerated the decline of traditional cable. More and more viewers are cutting the cord entirely in favor of dedicated streaming alternatives. Entertainment and tech giants are not blind to the threat, however, and the media landscape is rapidly changing. Consolidation and curation (that is, owning the most media properties and serving the best content) seem to be the overarching goals of the players involved.
This one didn’t open theatrically, so once upon a time it probably wouldn’t have qualified for this list. But screw it, we live in extraordinary times — and besides, this atmospheric murder thriller set in a small New England fishing village is the kind of artfully mounted, suspenseful little charmer they don’t really make anymore, so it feels extra special. Two cash-strapped sisters, struggling to hold onto their house in the wake of their mom’s death, find themselves in the middle of what appears to be an elaborate, twisted conspiracy involving the town brothel and a gaggle of old-timers with some dark secrets. The central mystery itself is interesting, but the main attractions here are the colorful cast of characters and the compelling sense of place established by writer-directors Bridget Savage Cole and Danielle Krudy.
Andrew Patterson’s The Vast of Night is a marriage of the old and the new, blending effects-aided cinematic showmanship to old-school radio drama. In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself.
We appreciate VRV’s slick, cohesive interface, which makes it easy to jump from one channel’s offerings to another’s. VRV also has useful features for organizing the content you want to watch, plus it supports unlimited simultaneous streams and offline downloads on mobile. It does, however, lack the community features of many other anime streaming services, such as an apparel store, forums, and digital comics and manga. In addition to its web interface, VRV offers an app for Android and iOS, media streaming platforms (Amazon Fire TV, Android TV, Apple TV, Chromecast, and Roku), and gaming consoles (Xbox One and PlayStation 4). Amazon offers access to its video content in one of two ways: a standalone Amazon Video subscription or an Amazon Prime subscription. An Amazon Video subscription costs $8.99 per month and only includes access to Amazon’s streaming video library. An Amazon Prime account, which includes Prime Video content and a ton of other shipping and shopping perks, costs $12.99 per month (or $119 per year). Amazon refers to its video streaming service as Amazon Prime Video in most of its support documentation.