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Watch top tv shows online now? Russian director Kantemir Balagov’s soul-crushingly powerful and exquisitely mounted historical drama (which really deserved at least an Oscar nomination this year; it was short-listed but didn’t make the final five) follows two female veterans trying to reconnect with life in postwar St. Petersburg. It starts off in unspeakable tragedy — the young director is known for booby-trapping his films with the occasionally devastating image or plot development — which makes for a striking emotional and structural gambit. As the characters wrestle with their own trauma, we, too, are dealing with the consequences of what we’ve seen. What makes it all work — and work so beautifully — is Balagov’s almost supernatural command of film language: the elegance of his storytelling, the vivid, symbolic use of color, the humanism of the performances. You can bask in Beanpole’s cinematic delights while simultaneously having your heart ripped to shreds.

The systemic culture of indifference and cruelty that often forms around a powerful serial abuser gets put under the microscope in this studiously observed New York office drama, which draws inspiration from the behavior of Harvey Weinstein while intentionally blurring some of the details. We never learn the name of the tyrannical boss in the story and the exact nature of his crimes are never fully revealed; instead, Julia Garner’s assistant Jane, a Northwestern grad fresh off a handful of internships, provides our entryway into the narrative. The movie tracks her duties, tasks, and indignities over the course of a single day: She makes copies, coordinates air travel, picks up lunch orders, answers phone calls, and cleans suspicious stains off the couch. At one point, a young woman from Idaho appears at the reception desk, claims to have been flown in to start as a new assistant, and gets whisked away to a room in an expensive hotel. Jane raises the issue with an HR rep, played with smarmy menace by Succession’s Matthew Macfadyen, but her concerns are quickly battered away and turned against her. Rejecting cheap catharsis and dramatic twists, The Assistant builds its claustrophobic world through a steady accumulation of information. While some of the writing can feel too imprecise and opaque by design, Garner, who consistently steals scenes on Netflix’s Ozark, invests every hushed phone call and carefully worded email with real trepidation. She locates the terror in the drudgery of the work.

Andrew Patterson’s The Vast of Night is a marriage of the old and the new, blending effects-aided cinematic showmanship to old-school radio drama. In the director’s sterling feature debut (written by James Montague and Craig W. Sanger, and framed as an episode of a Twilight Zone-ish show called “Paradox Theater”), two 1950s high schoolers – confident radio DJ Everett (Jake Horowitz) and telephone operator Faye (Sierra McCormick) – stumble upon a strange signal that, they come to suspect, originates from the stars looming above their small-town-USA home. Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. At the same time, his centerpiece sequences are models of formal precision and depth, as protracted shots across sprawling fields, through crowded gymnasiums, and in and out of cramped buildings create pulse-pounding tension while simultaneously conveying the propulsive flow and binding, interconnected nature of narrative storytelling itself. See additional info at 123 movie.

If you’re looking for a UWP media player app for Windows 10 that’s clean looking, it’s time to stop your search becauase ACG Player could be your final choice. It’s a lightweight media player that has all the essential features like audio and video effects, music visualizer, art font subtitle, gesture control, background music. etc. ACG Player supports most media codecs out-of-the-box and follows no-nonsense policy. It also supports playback from external devices, files, and discs. An even more lightweight version of ACG Player is available in the form of Ax-Lite, which is its faster version without some features. Do give it a try for its clean and zippy interface.

The modern gig economy receives a thorough thrashing by Ken Loach’s Sorry We Missed You, another sober class-conscious drama from the celebrated British director. Faced with limited professional options, Ricky (Kris Hitchen) gets a job as a delivery driver for a company that doesn’t technically hire him; rather, he’s “self-employed,” meaning the onus for everything falls on his shoulders. That proves to be an arduous state of affairs given that his wife Abbie (Debbie Honeywood) is a home care nurse who works long hours (also for “herself”), and their son Seb (Rhys Stone) is a school-skipping, graffiti-spraying teen who – having seen the incessant, back-breaking toil and anxiety that comes from his parents’ chosen paths – has opted instead for delinquency. As hardships mount, Loach incisively details the major and minor ways in which this contractor-oriented paradigm is fundamentally rigged against workers. His despairing condemnation is all the more wrenching for coming via a deeply empathetic portrayal of an everyday clan buckling under the strain of unjust forces out of their control. Discover additional info on this website.

Popcorntales.com movies reviews

Watch high quality tv series and read movie reviews this day? The mythic quality of the Cordillera – the towering eastern stretch of the Andes mountains that serves as both a protective and isolating barrier for the city of Santiago – is harmonized with the grand, destructive illusions of Chile’s Pinochet regime in The Cordillera of Dreams, documentarian Patricio Guzmán’s personal rumination on his homeland’s tumultuous history, and his relationship to it. From vast sights of the snow-capped Andes, to grainy on-the-street video footage of Pinochet tyranny, to introspective interviews with fellow artists, Guzmán’s film (the third entry in a trilogy that also includes Nostalgia for the Light and The Pearl Button) examines the catastrophic upheaval of 1973’s coup d’état, and the lingering scars it left on him and the country’s citizens. In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks.

Exhilaratingly political but unfailingly intimate, Eliza Hittman’s third film is a thriller whose antagonist isn’t a person, but a society bent on treating the bodies of the main characters as common property. Never Rarely Sometimes Always takes place over the course of a few days in which a pregnant teenager travels with her cousin to New York City to obtain the abortion that restrictions have made unavailable to her in their home state of Pennsylvania. The precariousness of their situation, which soon stretches beyond the capacity of their meager resources, is counterbalanced by the strength of their bond. Newcomers Sidney Flanigan and Talia Ryder aren’t just magnetic — they convey, often without words, what it means to have someone to really rely on.

Shannon Hoon died much too young when, on October 21, 1995, the 28-year-old Blind Melon singer suffered a fatal drug overdose on his tour bus. During the five years before that calamity, the vocalist diligently recorded his life, from humble, trouble-wracked days in his native Indiana, to Los Angeles recording studios with Guns ‘N’ Roses, to the road with his alternative rock band, which eventually hit it big with the ubiquitous “No Rain.” All I Can Say is the inviting and heartbreaking story of that tumultuous period, told almost exclusively through Hoon’s own self-shot footage. That approach makes the documentary, on the one hand, an autobiography of sorts, although co-directors Danny Clinch, Taryn Gould and Colleen Hennessy do much to enhance their archival material through a canny editorial structure that uses schizoid montages and sharp juxtapositions to capture Hoon’s up-and-down experience coping with fame, impending fatherhood and addiction—the last of which is more discussed than actually seen. There’s no need to be an alternative rock fan to warm to this intimate portrait, which radiates sorrow for a vibrant life cut short. Read additional details on honest movie reviews.

If you’re looking for a UWP media player app for Windows 10 that’s clean looking, it’s time to stop your search becauase ACG Player could be your final choice. It’s a lightweight media player that has all the essential features like audio and video effects, music visualizer, art font subtitle, gesture control, background music. etc. ACG Player supports most media codecs out-of-the-box and follows no-nonsense policy. It also supports playback from external devices, files, and discs. An even more lightweight version of ACG Player is available in the form of Ax-Lite, which is its faster version without some features. Do give it a try for its clean and zippy interface.

This low-budget debut feature is a UFO movie that takes time to achieve lift off. In addition to saddling the story with a mostly unnecessary framing device, which underlines the already obvious echoes of The Twilight Zone, director Andrew Patterson and the film’s writers open the 1950s New Mexico-set story with a handful of overly precious exchanges featuring the two main characters, chatty DJ Everett (Horowitz) and young switchboard operator Fay (McCormick). In the beginning, these two might get on your nerves. But once the movie locks them in place, tampering down the acrobatic camerawork and letting the sound design take control, the material finds a more natural rhythm, drawing on the hushed intimacy of old-fashioned radio drama. Like many of the best UFO yarns, The Vast of Night taps into a deep sense of yearning. Wanting to believe is half the battle. See additional information at https://www.popcorntales.com/.

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See tv series online for free? Oz Perkins is a horror lyricist fixated on grief and female agency, and both factor heavily into his atmospheric reimagining of the classic fairy tale. In a countryside beset by an unknown plague, teenage Gretel (It’s Sophia Lillis) refuses to work as an old creepy man’s housekeeper, and is thus thrown out by her mother, forced to take her young brother Hansel (Sam Leakey) on a journey through the dark woods to a convent she has no interest in joining. Beset by hunger, the two come upon the home of a witch (Alice Krige), whose feasts are as mouth-watering as her magic lessons for Gretel are simultaneously empowering and unnerving. Perkins sticks relatively closely to his source material’s narrative while nonetheless reshaping it into a story about feminine might and autonomy, and the potential cost of acquiring both. Drenched in ageless, evil imagery (full of triangular pagan symbols, pointy-hatted silhouettes, and nocturnal mist), and boasting a trippiness that becomes hilariously literal at one point, Gretel & Hansel casts a spell that feels at once ancient and new.

Look, all you really need to know about this trippy H.P. Lovecraft update is that Nicolas Cage stars as a husband, father, and would-be farmer who owns and does a lot of shouting about alpacas. Or maybe what’s most important is that this throwback horror freak-out is the work of filmmaker Richard Stanley, making a long-in-the-works comeback over two decades after he was famously fired from the disaster that was The Island of Dr. Moreau. Either way, rest assured that things start going very poorly for the ill-fated family at its center, not to mention their animals, when a meteor crash-lands on their rural property and starts warping reality around it.

For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not. Read even more info at watch tv shows online free.

Spike Lee goes for broke with Da 5 Bloods, tackling historic and modern racism, oppression, guilt, greed and brotherhood through the story of four Vietnam Vets (played by Delroy Lindo, Clarke Peters, Isiah Whitlock Jr. and Norm Lewis) who, along with the son of Lindo’s character (Jonathan Majors), return to Southeast Asia to both recover the remains of their fallen comrade Stormin’ Norman (Chadwick Boseman) and to find the gold they buried years ago. Lee holds nothing back in recounting this sprawling tale, employing different aspect ratios and film stocks, plentiful Marvin Gaye tunes, flashbacks, shout-outs to Black Lives Matter, denunciations of President Trump, and references to notable (but largely forgotten) African-American trailblazers. Throw in nods to Apocalypse Now, The Bridge on the River Kwai and The Treasure of the Sierra Madre, and you have an epic that’s bursting at the seams, occasionally to its overstuffed detriment. Nonetheless, Lee’s action-movie investigation of internal, domestic and global racial dynamics—and defiance—thrums with timely anguish and fury, and is bolstered by an Oscar-worthy turn from Lindo as a MAGA-supporting man drowning in chaotic rage.

KMPlayer is another great and free Windows 10 media player that possesses the ability to play almost all mainstream video and audio files. As it has an inbuilt codec for Windows 10, the users don’t need to look for any different codec. To increase its compatibility even further, you can add external codecs. With the support for 3D, 4K, UHD support, the users can enjoy high definition videos on your devices. KMPlayer is also known for its wide range of support for formats. The users have lots of choices when it comes to audio and video effects which makes sure that you don’t feed the dearth of any feature or support. You can choose the parts of videos as favorites, make them repeat, remap the keys for remote interface, etc. You also get the feature of editing subtitles right inside the player. First released in 2002, KMPlayer free media player was acquired by a Korean streaming company Pandora TV in 2007.

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Download movies from Youtube to Mp3 by youtubetomp3.so

Best Youtube to Mp3 online downloaders? The basic version of YouTube Music is free, but YouTube Music Premium is a paid option that strips out the ads, can play music in the background while you use your device, and lets you download music and playlists for offline listening within the app. After a one-month free trial, YouTube Music is $9.99 a month on Android or $12.99 a month on iOS. Yes, Apple charges 30 percent extra for the subscription, but you can avoid the added cost by signing up on the web for $9.99 and accessing your premium account on your iPhone or iPad.

An utter delight of a program, ClipGrab makes converting from YouTube to MP3 nice and simple – aside from the bundling of the Opera browser, which is easy to skip if you’d rather avoid it. The wonderfully simple interface gives you a pleasing hint of just how easy things are going to be, right from the word go. Copy a YouTube URL to the clipboard and ClipGrab will spring into action, offering to download the related video for you.

4K Video Downloader is a powerful, highly customizable and simple to use piece of software that can be also used for extracting MP3 audio from YouTube. For basic YouTube audio downloading, simply paste any YouTube URL, opt to just keep the audio, choose an output format, quality, location and click the ‘Extract’ button. There’s a great choice of formats – both video and audio – including MP4, MKV, 3GP, MP3, M4A, and OGG. 4K Video Downloader can also convert entire playlists up to 24 videos long. To unlock the ability to convert more, you will need to activate a License key which will cost €12 for a lifetime license for three PCs. In addition, 4K Video Downloader supports downloading from many sites besides YouTube, including Vimeo and DailyMotion. Discover more information at MP3 converter.

A word of caution: Before we go into the finer details, we should probably warn you that anything you stream on Kodi is visible to both your ISP and the government, which could put you in legal hot water. The only surefire way to combat this is to connect to a good VPN service whenever you use Kodi. While there are many free and paid-for VPN services, the only one we wholeheartedly recommend for use with Kodi is ExpressVPN.

In Which format can we convert Our video? You can convert your video into the below given formats. YouTube to MP3 which is audio version only. YouTube to MP4 which is a combination of audio and video version. Any special Requirements to use our Mp3 YouTube tool? There are no special requirements to use the tool but you need to agree to our terms and conditions. One important point is about the length of YouTube video. The length should be maximum of 60 minutes. YouTube videos longer than 60 minutes won’t work on our tool. So, do keep the video length below 60 minutes. So, are you excited to convert your favorite YouTube videos to MP3 or MP4 files? Let’s paste the link and have your output file ready in 2 minutes with our amazing YouTube to MP3 tool. Find additional details on this website.

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Watch movies free online on fbox.to? Romanian director Corneliu Porumboiu loves to play with procedure and form; he’s an ideal director for playful tales about bureaucrats, cops, and other officials in a country still wrestling with the decades-long fallout from a communist dictatorship. His movies are cosmic comedies shot through with moments of ironic tragedy, and this crime comedy-drama might be his weirdest one yet. It starts off as a bizarro tale about a policeman who has to learn a “whistling” language used by the inhabitants of one of the Canary Islands in order to help free a gangster from prison, then twists into a moving meditation on love, loyalty, and self-improvement. Best experienced without knowing anything beforehand; I’ve already said too much!

The darkness is all-consuming, as is despair over a lost past and future, and a purgatorial present, in Vitalina Varela, Pedro Costa’s aesthetically ravishing true tale of its protagonist, a Cape Verde resident who returns to Portugal mere days after her estranged husband’s death. Vitalina wanders through this dilapidated and gloomy environment, which Costa shoots almost exclusively at night, the better to conjure a sense of ghosts navigating a dreamscape of sorrow, suffering and disconnection. Each of the director’s images is more ravishing than the next, and their beauty – along with an enveloping soundscape of squeaking beds, sheets blowing in the wind, and rain pattering on crumbling roofs – is enchanting. Presenting its story through fractured plotting and dreamy monologues, the Portuguese master’s latest is a series of tableaus of lovelorn grief concerning not only Vitalina but also an aged priest in spiritual crisis and another young man poised to endure his own tragedy. The film’s formal grandeur – its compositional precision, and painterly interplay of light and dark – is overwhelming, as is the majestic presence of Vitalina herself.

In what hasn’t exactly been a great year for action movies so far, Bad Boys for Life has to be the biggest surprise. Given its lengthy production history, its January release date, and the departure of series director Michael Bay — the action auteur gets a winking cameo here, perhaps taking a break from shooting Netflix’s 6 Underground — this movie could’ve been a disaster. Instead, Smith and Lawrence easily slip back into the roles that made them action movie icons in the ’90s and the writers find a way to update the garish, over-the-top aesthetic of the series for the franchise era. In a wise decision, directors Adil El Arbi and Bilall Fallah don’t even bother trying to top the excess and mayhem of Bay’s Bad Boys II.Bad Boys For Life is a gentler, sillier movie than its predecessor, less interested in moments of vulgarity than in scenes of sitcom-like human connection and familial melodrama. There are explosions and car chases through the streets of Miami and jokes about getting too old for this shit, but the material is given a light touch that lets the two stars do what they do best. Read extra details at watch tv shows online free.

DivX Player for Windows. It calls itself the first of its kind media player that offers free HEVC playback. With this popular and useful media player, you can also enjoy UltraHD (4K) playback. It goes without saying that DivX player is optimized for played video files in the most popular formats like MP4, MKV, DivX, and AVI. DivX also acts as a streaming media player that lets you stream music, video, and photos to any DLNA-compatible device. DivX player also comes with advanced features like Trick Play, which lets you jump to your favorite scenes easily. With the support for Chapter Points, you can simply play different scenes. Its smart media library keeps track of the purchased as well as private video content. The support for multiple audio means that you can switch among different soundtracks without hassle. With its Resume Play feature, you can simply jump to the point where you left off.

Deepfake technology gets a stunning workout in Welcome to Chechnya, as documentarian David France uses the face-transforming device to mask the identities of his subjects: a group of LGBTQ+ activists intent on smuggling gay men and women out of their native Chechnya before the government can kidnap, torture and murder them. That the Russian-controlled state is on a genocidal mission to “cleanse the blood” of the nation by exterminating its homosexual population is a terrifying reality brought to light by France, who details the efforts of these brave souls to use subterfuge to sneak at-risk individuals to safer European enclaves. At the center of his tale is Maxim Lapunov, whose release from a Chechnyan torture chamber—and resultant knowledge of the government’s monstrous activities—turns him into the state’s Enemy Number One. Lapunov’s courageous desire to legally strike back at the system is one of many threads exposing the fascistic new Final Solution being perpetrated by Putin-backed Chechen leader Ramzan Kadyrov. A cry for help and a call to arms, it’s nothing short of straight-up horrifying.

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Flixtor One tv series online for free right now? Hell hath no fury like a religious zealot scorned, as demonstrated by writer/director Rose Glass’ feature debut, which concerns a young hospice nurse named Maud (Morfydd Clark) who comes to believe that her mission from God – with whom she speaks, and feels inside her body – is to save the soul of her terminally ill new patient, famous dancer Amanda (Jennifer Ehle). What begins as a noble attempt to share pious belief and provide comfort for the sick swiftly turns deranged, as Maud is possessed by a mania impervious to reason, and enflamed by both the slights she receives from Amanda and others, and her own mortal failings. The sacred and the profane are knotted up inside this young woman, whom Clark embodies with a scary intensity that’s matched by Glass’ unsettling aesthetics, marked by topsy-turvy imagery and pulsating, crashing soundtrack strings. A horrorshow about the relationship between devoutness and insanity, it’s a nerve-rattling thriller that doubles as a sharp critique, punctuated by an incendiary final edit that won’t soon be forgotten.

At first blush it’s easy to dismiss Birds of Prey. But this feverish spectacle directed by Cathy Yan and scripted by Christina Hodson is a triumph that takes the typically limp superhero genre and injects it with life and bravado as it traces Harley Quinn’s (played by a brilliant Margot Robbie) emancipation from the shadow of her relationship to the Joker. What could have been a trifle turns out to be a rich reimagining of Gotham City into a glittery haven for criminals like Ewan McGregor’s prancing Black Mask and his right hand, Victor Zsasz (Chris Messina stealthily turning in one of the best performances in the film), who are nipping at Harley’s heels over a lost diamond. The plot is besides the point. What matters is the visceral experience. The costume design by Erin Benach is iconoclastic, drenching Harley in a confetti-and-caution-tape aesthetic. The supporting actors give surprisingly realized turns, especially Mary Elizabeth Winstead as the awkward but committed assassin Huntress on a mission of vengeance, and Jurnee Smollett-Bell’s high-kicking fearsome Black Canary. What makes the film sing at the right register of pleasure is its commitment to crafting some of the most audacious, eye-catching, and bone-crunching action set pieces that brim with humor and complication thanks to stunt coordination and fight choreography by Chad Stahelski. We got to see the film four times in theaters before all of this happened, and with each viewing our hearts burst with more appreciation for this scrappy, wild, bombastic film.

For a certain type of moviegoer, any film where Nicolas Cage says the word “alpacas” multiple times is worth seeking out. Luckily, Color Out of Space, a psychedelic adaptation of H.P. Lovecraft’s short story from 1927, offers more than just furry animals and unhinged Cage theatrics. Mixing hints of science-fiction intrigue and bursts horror movie excess, along with a couple splashes of stoner-friendly comedy, Richard Stanley’s proudly weird B-movie vibrates on its own peculiar frequency. Cage’s Nathan, a chatty farmer with a loving wife (Joely Richardson) and a pair of mildly rebellious kids, must contend with a meteoroid that crashes in his front yard, shooting purple light all over his property and infecting the local water supply. Is it some space invader? A demonic spirit? A biological force indiscriminately wreaking havoc on the fabric of reality itself? The squishy unknowability of the evil is precisely the point, and Stanley melds Evil Dead-like gore showdowns with Pink Floyd laser light freak-outs to thrilling effect, achieving a moving and disquieting type of genre alchemy that should appeal to fans of Cage’s out-there turn in the similarly odd hybrid Mandy. Again, you’ll know if this is in your wheelhouse or not. Discover extra information on flixtor movies.

Shannon Hoon died much too young when, on October 21, 1995, the 28-year-old Blind Melon singer suffered a fatal drug overdose on his tour bus. During the five years before that calamity, the vocalist diligently recorded his life, from humble, trouble-wracked days in his native Indiana, to Los Angeles recording studios with Guns ‘N’ Roses, to the road with his alternative rock band, which eventually hit it big with the ubiquitous “No Rain.” All I Can Say is the inviting and heartbreaking story of that tumultuous period, told almost exclusively through Hoon’s own self-shot footage. That approach makes the documentary, on the one hand, an autobiography of sorts, although co-directors Danny Clinch, Taryn Gould and Colleen Hennessy do much to enhance their archival material through a canny editorial structure that uses schizoid montages and sharp juxtapositions to capture Hoon’s up-and-down experience coping with fame, impending fatherhood and addiction—the last of which is more discussed than actually seen. There’s no need to be an alternative rock fan to warm to this intimate portrait, which radiates sorrow for a vibrant life cut short.

Back in 2015, Plex made a big change and replaced their Plex Home Theater with its new Plex Media Player. Plex lets you easily take care of your large media collection, which can include anything like videos, TV shows, movies, photos, personal videos and music, etc. It organizes your collections and makes it look great. With its easy-share nature, you can pick and choose what to make public and give your family access. It supports almost all file types, including hi-fi music and video formats. As it’s Chromecast supported, you can cast the videos on your larger TV screen. You can also use the Plex app on your phone or tablet to take control of your player. Use this app to streamline your video content library and get the advantage of a feature-rich video media player as well.

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Independent TV productions US with globalharborcorp.com? The Rock Studios is to incorporate in its design 3000 square meters dedicated to office space. An additional 3000 square meters is planned for the development of storage and construction facilities. The purpose is to streamline the filmmaking process and to ensure that every aspect of production is part of an end to end service model. This will allow us to offer our in house productions and partners who make use of our facilities a truly streamlined uninterrupted production line, from scripted development to distribution.

A creative professional with more than twelve years in the Film/Media industries, Nick works in screenwriting, content development and producing. A graduate of The University of Birmingham’s prestigious Playwrighting MPhil under David Edgar, he transitioned from journalism, via satire to theatre where his play, Prints of Denmark was nominated for Amnesty International’s Freedom of Expression Award. He has lived and worked internationally in Europe, Africa and Asia, beginning his TV career in Bollywood. His latest feature film Suruli, a Bollywood/Hollywood crime thriller is now shooting in London. (Budget $10M) His first Hollywood feature film as producer was with Warner Bros, The Man Who Knew Infinity (2016) distributed in more than 30 countries. He was a screenwriter on feature thriller The List (2013) (Screenplay, Additional Material) and worked as Scripted Development Consultant for Kahani World, India on animated series Coderman and Raju The Auto Rickshaw.(Amazon Prime).

To ensure the quality, integrity, and innovation of film and TV projects are upheld, Behind the Billboards serves as the development lab for the wider Global Harbor Corporation. We read, review and develop projects at script or packet stage and make recommendations to Global Harbor Green-lighting Committee based on the latest Network and Studio list requirements, as well as making careful assessment of each prospective project on the Global Harbor Slate. We ensure quality, and assess the producers and writers behind the material in addition to the material itself. See extra info at Film finance US.

The goal of Europe Film Studios is to become the top end-to-end production service in Europe. We incorporate a technology and research-driven approach in which our partners and interested investors are presented opportunities to become part of successful, strategic productions. By following stringent processes with every initiative, we present financial opportunities in entertainment without the usual perceived risks of single picture investment in which returns are only driven by box office. End to end production offers the opportunity for profit at each phase and the minimization of second and third party cuts into profits.

We specialize in a wide range of movie genres, from Adventure Sci-fi and family adventure to animation, fantasy, and drama. From experts across productions such as 007’s Spectre, Alien, and Aquaman, we have partnered with blockbuster productions and continue to bring the world’s best to the big and small screen. Discover our list of exciting new film titles that every avid film lover must see! See even more details at this website.

Watch the movie: Storm and Luther’s Forbidden Letter

In a time when thinking differently is punishable by death, one boy dares to change the world. Storm and Luther’s Forbidden Letter is a film that is set in Belgium during the inquisition. During this time, there was only one church and anyone who practiced differently was punished harshly. This film’s message, strong themes and lessons are extremely relevant and important within today’s conversations.

Storm and Luther’s Forbidden Letter shows that there is power in words and books. What causes the conflict in this story is not a sword or a magical staff, but a letter. The letter is written by the famous reformer, Martin Luther, and printing it is an act of rebellion against the Catholic Church. Storm’s father tries to print the letter and is quickly captured. However, Storm steals the original copy and leads the story as he runs from the inquisitor and tries to save his father, all while protecting a letter that could change everything in his town and beyond.

https://www.youtube.com/watch?v=vgcd–k2Vn0


Storm and Luther’s Forbidden Letter is about doing the right thing – even if there are major consequences involved, which is just as important now as it was centuries ago.

Watch Storm and Luther’s Forbidden Letter only on Vyre Network’s Family Channel, which is available in 113 countries worldwide on Apple TV, Roku, Amazon Fire, Android, IPhone, and web. Download Vyre Network now at Watchvyre.com

Watch: Unnecessary Humor TV (On Vyre Network)

Even though it seems as if there is more content than ever at our fingertips, it still feels as though there is a lack of original comedy content that’s not only well produced, but that offers a perspective that diverges from the dominant dialogue within popular media. It can be a bit overwhelming with all the new streaming sites that are emerging, most of us just antsy to just skip right to the quality content without having to sift through which sites are worth the fees or not. Well don’t you worry anymore. The streaming site that finally feels as though it is shaking things up is the new network, Unnecessary Humor. Did you love College Humor? Comedy Central enthusiast? Watched every Netflix comedy special? If you answered yes to any or all of those questions, then Unnecessary Humor is going to be your new favorite. This streaming site feels like the perfect merge between networks and streaming culture. Oh and it’s free.

The channel offers a range of comedic delights, from out there stand up specials to short form series. If you’re an animated comedy fan who has already watched Big Mouth 5 times and is feeling the urge to switch it up, I suggest Guy Moments.

For the Broad City queen, definitely check out No Chill.


And if you love a classic romantic comedy with characters that remind one of a modern Lucy and Ricky, The Next Steps is the perfect pick.

And that’s just the beginning. Humor is more than just subjective, it is a reflection of who you are and how you view the world, so it is important to have options that you feel reflect this point of view. By merging the quality brought to you by a network, with the raw inspiration of independently produced projects, Unnecessary Humor has successfully curated a library of content that offers quality laughs for people from all walks of life, with all types of humor. You can stream for free on Roku, Google Play, subscribe on Apple TV, download on the Apple App store, the Amazon app store, or watch for free right through Vyre’s website.

Best 5 Youtube to Mp3 online converters

Convert videos from Youtube to Mp3 by mp3ytb.cc? Another great tool for a quick download video and audio from YouTube, Free Video Downloader for YouTube lets you save video as MP4 and WEBM, and audio as MP3 and M4A. The program enables you to download both video and MP3 audio files at the same time, in this way you can choose to save only video or save video and MP3 audio files together. Free Video Downloader for YouTube comes with no ads or unwanted extra applications – just a clear, simple and well-designed tool that will rip the music you want with the minimum of hassle. It features the ability to queue up three links for downloading. The beauty of Free Video Downloader for YouTube is that there’s nothing superfluous and confusing as it focuses on a single task, and does it really well. Also check this simple video downloading guide for the app.

If you just want to listen to YouTube music and don’t need an MP3 file, YouTube offers its own app for listening to your favorite music. With YouTube Music for iOS, iPadOS, and Android, you can browse and search for music from different artists, albums, and genres on YouTube. You can’t download songs with the free version, but you can with the premium edition, though you can only listen to them within the app. Select favorite artists, and the app spins up a playlist of recommended channels; popular videos are served up through a video hotlist. The app keeps track of the music and channels you access so you can easily return to them. And you can create your own library of favorite music.

Even if this doesn’t happen – you might not yet have the program running, for instance – a quick paste into the relevant field is all it takes. You can then indicate that you are interested in downloading the audio as an MP3 before you click the ‘Grab this clip!’ button to do just that. The MP3 you seek will be yours in next to no time. When you’re looking for a YouTube to MP3 converter, one of the first things to consider is how many videos you want to convert. If you’re only going to be doing it once or twice, it might be worth considering an online tool, but for anything more it’s worth downloading a dedicated desktop application. Find even more information on youtube to mp3.

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